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Movie Proposal: The backstop in the Rye Vina Ku Iverson/Racey Per. 7, 8 To the producer:          The backstop in the Rye, a contemporary fresh by J.D. Salinger, is a thought-provoking, fascinating look at societys values and issues in the 1950s. This throw would make an excellent change to charge because it is respectable of both action and implication. It focuses on a four-day period of time in the life of a sixteen-year-old faultfinder with emotional problems. The apply follows Holden Caulfield as he struggles with others and himself to find his bearing by dint of the phoniness and disillusionment involved in his adolescent life. These struggles fundamentally make up the novel, occurring during a long flashback of the four days as he relates them to a analyst. It would make a vivid photograph because it is write with so much detail, so more pictures that would be beautifully uttered through optical representation. not only that, still the novel possesses substance, providing a subjective visual modality of the superficiality of modern life, which is represented by the world Salinger creates somewhat Holden.

Summary: The word picture would be named after the novel it is ground on, and would attempt to follow the exact storyline. Pencey Prep, the private school that Holden go to would not give to be in Pennsylvania, provided someplace resembling the atomic number 18a. Most of the city incidents would genuinely be enter in New York City. Of course, certain(a) streets would make up to be singled reveal, and the costuming and cars, and so forth, would have to resemble1950s New York in order to fit the time period.

        The movie would be narrated by Holden, who would stop talking at propagation to allow focus on the flashbacks taking place in what would then seem like present tense. Much of the thread does not need to be put into dialogue because Holden sp overthrows a great deal of time in his descriptions of what is going on around him. This aspect of the book would have to be carried out carefully and precisely by actors with the right kind of natural endowment (see Characters/Acting) in order to make the movie successful in capturing Salingers exact tones and concepts.

Note: the main objective of the movie is to present The Catcher in the Rye in visual format. This means to follow as closely as manageable to the original plot, dialogue, stage settings, etc. as written in the book unless truly im viable. The movie should reflect the intentions of J.D. Salinger and also incorporate the themes expressed in the novel (i.e., hypocrisies and phonies in everyday life, the search for a place to belong, isolation and wearing masks). If possible, the author should be contacted for opinions and rebuke throughout the filming of the movie.

The beginning of the movie could or could not be modified from the beginning of the book; either direction would still appropriately capture the atmosphere of the psychoanalyst and Holden. bingle way to begin is by actually showing Holden untruth in a psychoanalysts office, where he begins his narration. The television tv camera would then fade into Pencey Prep, with Holden standing atop Thomsen Hill. Another improvement could just be to begin directly with the scene on the hill, with Holden voicing over the picture.

Of course, not every scene could have narration. Otherwise the movie would be un real. Some of the thoughts that run through Holdens head would have to become dialogue, for example, Holden would mumble false under his breath firearm talking to certain fibres.

Locations: either of the scenes occurring at Pencey would be filmed at another preparedness school resembling the descriptions given by Holden throughout the book. (...Way the hell up on top of Thomsen Hill, right next to this crazy carom that was in the Revolutionary War...You could see the whole [football] field from there...-The Catcher in the Rye, p.2) One of the more grotesque scenes would be the self-destruction of James Castle. This is a critical scene because Holden tells the reader round it after the incident in Mr.Antolinis apartment, depicting Holdens sudden unwillingness to judge him. It shadow be filmed considerably using stuntmen and technology to recreate the jump from the windowpane and the death. The moment Mr.Antolini approaches the body afterwards should be caught on camera to emphasize his character.

The scenes in Mr.Antolinis apartment, along with the scenes in the hotel direction with the sporting lady and the bars in the other hotels, should be snap fastener in the appropriate hotels in New York City. A seedy, jade hotel in a bad neighborhood named something like E-Z sleep Hotel would be appropriate as a substitute for the Edmont Hotel. This is where Holden stayed and had the prostitute incident in, along with the experiences at the bar downstairs. A nice, upscale hotel like the Ritz would be appropriate for the Biltmore Hotel, and the meeting place for Holden and tornado Hayes. Other settings might need a fake set because finding actual places resembling the time period would be inviolable to do, but should be done if at all possible to make the movie as good as it can be. Some locations would be the theater Holden and Sally go to, the Caulfields apartment, etc. Certain settings that are preexisting in New York city, such(prenominal) as Radio City Music Hall, the museums, Grand aboriginal Station and Central Park should be used as they are, unless modifications would be unavoidable to make the areas look like they did in the 1950s.

The rest home, whether used in both the beginning and end or just in the end, would be in an tolerant location, but evidently somewhere in California. The room Holden is in with the psychoanalyst would be sunny, but not too bright, and the psychoanalyst would never actually be seen. All that is visible is Holden, delusion on a couch, talking.

The majority of the book takes place in New York City, as before mentioned. The city must be filmed carefully, because it is not only a backdrop for the book, but has an essential purpose. The nameless people of the city that Holden observes throughout the book are actually symbolic for the citys character itself.



Holden sees and has contact with various unnamed characters throughout the city, like the crotchety cab drivers, and the little boy humming Burns straining that Holden misheard, If a body catch a body feeler through the rye. These people all represent the distinguishable aspects of the City, and of urbanization during the beginning of the Atomic Age.

Characters/Acting:         Because of the numerous characters Holden encounters, not every single character mentioned will be actually played by an actor, or even seen in the film, but the majority will be. Most of the small roles are rattling however, such as the characters mentioned above. All of the shortly mentioned characters are dictated into Holdens world for a reason, so they must be portrayed. The small characters give insight to Holdens personality, as well as the personality of the character played by the urban world. Such interactions between them, like the one between Horowitz, the sulfur cab driver, and Holden, about the ducks in Central Park are used as insight to Holdens personality. Holden asks the cabby about something that would seem trivial to others, and the cabby responds in a dramatic, untamed manner, almost comedic, and stereotypical of urban dwellers (Whos ignoring it? Nobodys ignoring it!-p.82). The personality displayed by Horowitz is another indication that the novel is not only about Holden and his adventures, but also of the world he lives in.

        Characters must be played by actors with a certain similarity to the character itself, whether it is by their physical appearance, the way they declaim or otherwise. Holden is a 16 year-old boy, and so he should be played by a boy who looks no honest-to-goodness than that. The boy should be rather thin, but with muscles, and have a face with character. Holden is to be played with intensity, anger, sadness, but also have a loving nature, all of which he displays throughout the novel, whether obviously or inconspicuously. The novel accurately describes most of the other characters, because of Holdens observant nature. All details given by Holden should be carried out accordingly.

        The movie would be best directed by Stephen Spielberg, because of his ability to keep movies true to nature, and still produce a compelling story. This would be an excellent project for him because the objective of the film is to do exactly what Spielberg did with movies such as Schindlers discover and Saving Private Ryan: to take a story, fiction or non-, and portray it as a emotionally moving picture, while keeping it true to the original vision.

        The movie spin-off of The Catcher in the Rye should accurately represent the novel written by J.D. Salinger. The budget for the film should be whatever is deemed necessary by the director to make the movie as realistic and well done as possible. The budget should not be a consideration because it would hinder the quality of the film and thusly not allow it to live up to the wonderful the novel could have as a film. If carried out well, this film would be a huge success.

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