Throughout life, clothing and body language are often utilized
as sources of turned on(p) expression. These emotions can also be
portrayed in literaray works and artisitic displays, such as those of
Poe, Baudelaire, Manet, and Warhol. In Poes Man of the Crowd,
there are several descriptions of different types of nation based on
their appearances, but one contingent man is rivet on by the narrator
delinquent to his unique appearance. Baudelaires The Painter of Modern
Life emphasizes the emotional expressions of peach and fashion
expressed in art. Manet is an artist who paints scenes to his liking.
All of his works were done in his studio and set up the way that he
wanted them. He holds a particular focus on work force and women and the
relationship between them. The positions and clothing that the men and
women are set up in hold concentrated emotional implications about their
feelings towards one another and the emotions involved in the social
setting.
        The opening of The Man of the Crowd, describes the emotions
involved in untold secrets and the deepest of crimes; there are
internal conflicts, struggles, anxieties, and agonous results due to the
horror of the unsolvable crimes.
The possibility of these crimes is
introduced through the man of the crowd through his unseemingly
unidentifiable expression The narrator describes his thoughts of this
man as:
There arose confusedly and paradoxically inwardly my mind, the ideas of
vast mental power, of caution, of penuriousness, of avarice, of
coolness, of malice, of blood-thirtstiness, of triumph, of merriment, of
excessive terror, of intense - of supreme despair. I felt singularly
aroused, startled, fascinated. How enraged a history, I said to myself,
is written within that hide!
Although the narrator had never spoken to this man of the crowd, he was
compelled to copy him based...
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