In this passage, Stravinsky discusses orchestra conductors, making observations and conclusions concerning their true urgency. He seemingly has carefully examine conductors behavior and effectively conveys his visual sense to the reader. To present his point of view clearly, Stravinsky makes use of diction, satirical statements, and comparisons.
Stravinsky manipulates his diction throughout the passage. He a good deal uses quotations to place emphasis on certain words. His placement of quotes most the words great and style encourage the reader to timber into the word for added meaning. Throughout, Stravinskys overall diction and statements seem rather rash and bold. He does not hesitate to present his hints about the emergence. For instance, he boldly states that the incidence of ego disease is naturally high gear to begin with. In doing so he presents the reader with the feeling of confidence. In turn, the reader doesnt question Stravinskys overall knowledge of the subject matter. Also this creates a sense of informality. Throughout the passage, it seems as though Stravinsky is simply conversing with his audience. He uses parentheses and dashes within statements to create somewhat of an away with the reader as in lines 9 and 31-34. Using this technique makes the reader feel more comfortable and therefore advance relate to the ideas being presented.
Stravinsky also employs satire to attack the necessity of conductors in orchestras.
Opening, Stravinsky states that conductors occupational groups are not dependant on medicine ability, but on the society women (including critics). Through this statement, Stravinsky communicates that a career dependent on the ideas of women contradicts a career in music. Continuing, he speaks of ego as a natural trait in all men, and as an uncontrollable disease. In this, Stravinsky attacks how the conductors are unless concerned with their status rather than the quality of the music they render. The quotations...
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